I saw Ian's work in NY and agree with your take. The work references conceptual art history, but also invites a host of emotions. The door reconfigurations hurl childhood back at you -- memories of entrances and exits (or no exits), voices, doors opening and closing, things that happen behind them. Worth seeing. Tom Patchett Santa Monica
I saw Ian's work in NY and agree with your take. The work references conceptual art history, but also invites a host of emotions. The door reconfigurations hurl childhood back at you -- memories of entrances and exits (or no exits), voices, doors opening and closing, things that happen behind them. Worth seeing. Tom Patchett Santa Monica
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